:: Michael Willard
from The Brooklyn Sonnets
BQE Rhapsody
black dots being really puddles
pauses in a symphony on the BQE
words being what they are -- harsh English words
ski on a very difficult river
painters paint a new language
out of the junk yards of their tongues
I, like any other fili,
count by eights as my mother´s son
though I dip my pen in too many wells
the hand is mine, on my own paper
and it´s my stomach where it´s done
dancers dance into other dimensions
with ancient gestures made anew
as well as we, one day, will too
on the beach she sleeps her drink
warming on a sand bench
life in a bunch around her swarms
the sea, the salt punch taste
here everyone is someone´s lunch
in her dream she´s fighting to write
as white seagulls in both halves whine
and suns shine back from the wave peaks
while a child plays with a small seine
what lore taught her to weave syllables?
and what love drives her to make them mean?
what will move a story from a sandy track
more than the fierce wound of every day?
as we comb her hair with our fingers
we listen to the words from her womb
why
on a hill, a child sings a woman chisels in her garden
when I sit here clocks stop only the one moment it always is
there must be a word that says what happens in the center ripple or something concrete
like color to paint your birthright in you
or a story that meanders to a point between utterance and understanding something that
tastes right enough to tear the moon into dust
it´s a feeling; that´s all I´ll say
red cinders on ash grey flesh
fox demons
light
green light
shims over earth
water organs
of sight burden the air
fox demons guard
the tomb of youth
on a hill stone lanterns
comb wind with a bell
long days away eating piles of smog viewing the city through the eyes of a frog
lunch can't last it can't last
a night like now
sometimes meanings flipflop
old syntheses rot and mutate
like a valley of Caucasian lilies
becoming iris blue when they weep
somehow everything turns around
even the faces on worn out coins
get tired of looking to the right
want to see what´s on the left
that´s what comes from thinking the world
instead of tasting whatever mash
comes swimming up eternity´s straw
believing in the myth of God´s menu
a night like now in a corner of a fish
on an island in a puddle on a rock